![]() Furthermore, you can make these adjustments from within your image for maximum efficiency. With a point, click, and drag of your mouse, V2 can transform your workflow for adjusting and enhancing tone, color, and contrast without spending a lot of time creating selections and masks. Or you may want to use a plug-in designed specifically for masking.įor many images, however, V2 works well and is very fast. But for difficult shapes with similarly colored backgrounds, you may be better off using one of Photoshop’s Selection tools, such as the Magic Wand with its tolerance settings or Color Range, which offers fuzziness control, in combination with Refine Edge. ![]() In cases like these you could use the V2 Brush Tool to limit the effect to the area you want. I wanted to darken the sky and increase its color saturation, but since both sky and water were blue, V2 wanted to darken them both. The second image was a seaside scene with a surfer on the beach looking out over the dark blue water beneath a very light blue sky. Try as I might, the tones were so similar that I could not use V2 to darken the water without seriously darkening the heron at the same time (I did use multiple control points). One was an image of a great blue heron against a background of water that was, like the bird, a gray-blue. This was the case with the first two images on which I tried V2. However, if the color and tone of the area you want to adjust are similar to the background, you may encounter problems. ![]() When there is good color and tonal contrast between the areas you want to enhance and adjacent areas and backgrounds, V2 can work wonders.
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